Everyone must leave something in the room or left behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you’re there. It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away.

Some of it was gradual, and part of it was accidental.

Back when I was twelve years old I was madly in love with L. Frank Baum and the Oz books, along with the novels of Jules Verne and H.G. Wells, and especially the Tarzan books and the John Carter, Warlord of Mars books by Edgar Rice Burroughs. I began to think about becoming a writer at that time.

Simultaneously I saw Blackstone the Magician on stage and thought, what a wonderful life it would be if I could grow up and become a magician.

In many ways that is exactly what I did.

It was an encounter with another magician that changed my life forever.

During the Labor Day week of 1932 a favorite uncle of mine died; his funeral was held on the Labor Day Saturday. If he hadn’t died that week, my life might not have changed because, returning from his funeral at noon on that Saturday, I saw carnival tent down by Lake Michigan. I knew that down there, by the lake, in his special tent, was a magician named Mr. Electrico.

Mr. Electrico was a fantastic creator of marvels. He sat in his electric chair every night and was electrocuted in front of all the people, young and old, of Waukegan, Illinois. When the electricity surged through his body he raised a sword and knighted all the kids sitting in the front row below his platform. I had been to see Mr. Electrico the night before. When he reached me, he pointed his sword at my head and touched my brow. The electricity rushed down the sword, inside my skull, made my hair stand up and sparks fly out of my ears. He then shouted at me, “Live forever!”

I thought that was a wonderful idea, but how did you do it?

The next day, being driven home by my father, fresh from the funeral, I looked down at those carnival tents and thought to myself, “The answer is there. He said ‘Live forever,’ and I must go find out how to do that.” I told my father to stop the car. He didn’t want to, but I insisted. He stopped the car and let me out, furious with me for not returning home to partake in the wake being held for my uncle. With the car gone, and my father in a rage, I ran down the hill. What was I doing? I was running away from death, running toward life.

When I reached the carnival grounds, by God, sitting there, almost as if he were waiting for me, was Mr. Electrico. I grew, suddenly, very shy. I couldn’t possibly ask, How do you live forever? But luckily I had a magic trick in my pocket. I pulled it out, held it toward Mr. Electrico and asked him if he’d show me how to do the trick. He showed me how and then looked into my face and said, “Would you like to see some of those peculiar people in that tent over there?”

I said, “Yes.”

He took me over to the sideshow tent and hit it with his cane and shouted, “Clean up your language!” at whoever was inside. Then, he pulled up the tent flap and took me in to meet the Illustrated Man, the Fat Lady, the Skeleton Man, the acrobats, and all the strange people in the sideshows.

He then walked me down by the shore and we sat on a sand dune. He talked about his small philosophies and let me talk about my large ones. At a certain point he finally leaned forward and said, “You know, we’ve met before.”

I replied, “No, sir, I’ve never met you before.”

He said, “Yes, you were my best friend in the great war in France in 1918 and you were wounded and died in my arms at the battle of the Ardennes Forrest. But now, here today, I see his soul shining out of your eyes. Here you are, with a new face, a new name, but the soul shining from your face is the soul of my dear dead friend. Welcome back to the world.”

Why did he say that? I don’t know. Was there something in my eagerness, my passion for life, my being ready for some sort of new activity? I don’t know the answer to that. All I know is that he said, “Live forever” and gave me a future and in doing so, gave me a past many years before, when his friend died in France.

Leaving the carnival grounds that day I stood by the carousel and watched the horses go round and round to the music of “Beautiful Ohio.” Standing there, the tears poured down my face, for I felt that something strange and wonderful had happened to me because of my encounter with Mr. Electrico.

I went home and the next day traveled to Arizona with my folks. When we arrived there a few days later I began to write, full-time. I have written every single day of my life since that day 69 years ago.

I have long since lost track of Mr. Electrico, but I wish that he existed somewhere in the world so that I could run to him, embrace him, and thank him for changing my life and helping me become a writer.

And the men of Mars realized that in order to survive they would have to forgo asking that one question any longer: Why live? Life was its own answer. Life was the propagation of more life and the living of as good a life as possible. The Martians realized that they asked the question ‘Why live at all?’ at the height of some period of war and despair, when there was no answer. But once the civilization calmed, quieted, and wars ceased, the question became senseless in a new way. Life was now good and needed no arguments.
“It sounds as if the Martians were quite naive.”
“Only when it paid to be naive. They quit trying too hard to destroy everything, to humble everything. They blended religion and art and science because, at base, science is no more than an investigation of a miracle we can never explain, and art is an interpretation of that miracle. They never let science crush the aesthetic and the beautiful.

There was going to be a war on Earth.
He went out to peer into the sky.
Yes, there it was. Earth, in the evening heavens, following the sun into the hills. The words on the radio and that green star were one and the same.
“I don’t believe it,” said the proprietor.
“It’s because you’re not there,” said Father Peregrine, who had stopped by to pass the time of the evening.
“What do you mean, Father?”
“It’s like when I was a boy,” said Father Penegrine. “We heard about wars in China. But we never believed them. It was too far away. And there were too many people dying. It was impossible. Even when we saw the motion pictures we didn’t believe it. Well, that’s how it is now. Earth is China. It’s so far away it’s unbelievable. It’s not here. You can’t touch it. You can’t even see it. All you see is a green light. Two billion people living on that blue light? Unbelievable! War? We don’t hear the explosions.

Doesn’t an old thing always know when a new thing comes?”
“I suppose so. You sound as if you believe in spirits.”
“I believe in many things that were done, and there are evidence of these things on Mars. …Ask me, then, if I believe in the spirit of things as they were used, and I’ll say yes. They’re all here. All the things which has uses. All the mountains which had names. And we’ll never be able to use them without feeling uncomfortable. And somehow the mountains will never sound right to us; we’ll give them new names, but the old names are there, somewhere in time, and the mountains were shaped and seen under those names. The names we’ll give to the canals and mountains and cities will fall like so much water on the back of a mallard. No matter how we touch Mars, we’ll never touch it. And then we’ll get mad at it, and you know what we’ll do? We’ll rip it up, rip the skin off, and change it to fit ourselves.”
“We won’t ruin Mars,” said the captain. “It’s too big and too good.”
“You think not? We Earth Men have a talent for ruining big, beautiful things.